Daily Inspiration: Meet Tombi

Today we’d like to introduce you to Tombi.  

Hi Tombi, please kick things off for us with an introduction to yourself and your story.
*Detroit born and raised “Creative”, I’ve been blessed and afforded the space to remain expansive and thrive within several careers. However, as a model who has had international features, and a DJ for global brands, both have become more prominent, and what I’ve become most known for. 

I was introduced to world music through my father, an African percussionist with King Sundiata Keita, and my mother – an African dancer. Soon, becoming a performing musician of my own throughout my educational career (jazz, concert and marching bands), in addition to being a dancer/choreographer, I developed my own appreciation for a vast repertoire and a deeply personal connection to the physical energy of music. 

As a DJ, with these abilities and interconnections, often entrusted to musically curate esteemed events, I am honored to use music to inspire the spirit of our people in Detroit and beyond.

I am aligned with and connected to the energy of a city rooted in a love for soul, funk, hip hop, jazz, house, the origins of techno. In my “professional” arsenal, I also carry experience as an Art Therapist/Psychologist, Educator, Writer, Visual Artist/Instructor, Actor/Model. I approach my performances with key components of my experiences within each. All things are interconnected and have afforded me the insight, throughout every creative offering, to be conscious and aware of my audience, clients, environments, missions, and intentions…and how my offering can be the driving force to shift/uplift/enhance. 

My experiences have gifted me the ability to apply the same tools of creating a painting or telling a story to an audience (in place of colors or words) manipulating music to inspire, motivate, building anticipation and creating interest through contrasts and shifting the flow – melodic or climactic and contrasting, experiencing shared movement and flow of energy.

Technically, in correlating the creation of a painting with music/Dj’ing, “…some artists use tons of color…some use only 1… All are masterpieces.” I don’t rely heavily on effects or talking – more so mixing: navigating music selections and connections. Also, carrying with me a “gestalt” view when considering my appearance during a performance, as well as perspective & history of understanding that, any role I’m asked to step into, my image is also a valuable component of my creative offering. I am consistent in representing my personal + cultural + creative distinction & pride in my heritage as a necessary aesthetic, as a black woman in DJ culture. 

Although, I have never utilized industry affiliations, nor marketed or “pre-advertised” any event (initially working under an alias: “DJ Royal-T”), my musical journey has been blessed with a continuous flow of beautiful opportunities. I am often requested to set the mood, for distinguished clients/brands and events, new and established businesses, cultural exhibits, fashion events, and feature sets where the overall inspiration and objective is to simultaneously promote positive excitement, class and movement.

For me, it’s all about enjoyment and enhancing the atmosphere aesthetically…by tapping into several senses: what you hear, see and, (most importantly)…feel.  All encompassing, and associated with class, creative distinction, integrity, social “relatability”, and (in all things), purpose & intention. Music absolutely heals…and I embrace opportunities in every space, as a purveyor of personalized, expansive, feel-good grooves to create the ambiance that will enlighten and elevate atmospheres, fuel missions, and inspire. 

All that I do, remains connected – I’ve DJ’d in the same department stores that have featured me in modeling ads and museums where, both my image and paintings have been on display. 

*As for modeling, I did not enter the industry conventionally. I most certainly did not seek it and tried to avoid it based on observations of how behaviors, perceptions, and attitudes sometimes shift by both the models and the public. I was a scholar, visual artist, and performer who had my sights set in other directions. Visually, I’m not conventional/industry standard, not quite the height and most definitely imperfect. But, as I was approached with many opportunities and my journey began, I embraced and found a greater purpose within it, forging my very own path. 

I was able to establish a sound resume before being officially signed. After shooting with a commercial photographer, an agency contacted the photographer to have me come into the agency. I was signed on the spot and booked commercials, ads, and shows almost immediately. From there, clients I previously worked with needed me to sign with other agencies that they were also securing new bookings through, and I became SAG eligible soon after. As well, and noted with gratitude and humility, I have been blessed and honored to have been scouted for several projects by agents from New York, etc…without having to re-locate or seek work. 

Because I didn’t seek modeling, I felt I had room to take risks, establish identity & purpose within it, & to open more doors + widen the scope of opportunities & perceptions of the expansive beauty of black women that adhered more closely to the authentic reflections of our ancestry.

My aim, especially during my time as an educator, was/is to raise the esteem and self-concepts of girls and women, in hopes that we begin to reject images that consistently guide us in directions toward disrespect and objectification. I seek to improve the level of love and respect we have, of our unique offerings, for ourselves and each other.

The way I choose to present myself, my image (overall) could be considered a “glitch in the Matrix of analogous assimilation”:  An independent offering, countering an oversaturation of westernized, sexualized, diluted, departure, and removal of culturally authentic imagery of the black woman, across the diaspora. 

My image tends to be distanced from typical forms of expressed and appreciated beauty.  However, soon I became known for being featured commercially in my signature gelé (African head wrap) – creating a unique personal statement that simultaneously illustrates my pride in my ancestry, individuality, creativity, and strength to stand strong in my distinction…my “difference”. 

Although adorning myself in a gelé has always been part of my personal image and culture, it was obscure in Michigan’s small/tight market.  But, I intentionally created possibilities during shoots to incorporate my head wrap, until it eventually was requested and the main reason I was sought. 

The courage to represent myself the way I desire, independent of trends, has encouraged so many to exercise their freedom to do the same. In fact, I was featured in the “Fashion D.Fined” exhibit, alongside Anna Sui, Tracy Reese, Carhartt, John Varvatos, etc. in the Detroit Historical Museum as 1 of many Detroit creatives who have contributed to the impact that the Detroit fashion industry has had on a global scale. Also, twice pictured in American Vogue & British Vogue magazines, ads for Microsoft and more, adorned in my signature head wrap. 

The American Vogue feature was pivotal for myself and for Detroit. I was photographed by world renowned photographer, Bruce Weber, alongside supermodel Carolyn Murphy, where my images were featured in Vogue Magazine, Neiman Marcus, Saks, Nordstrom’s, product campaigns for Shinola, and included in every flagship store across country and throughout Europe, etc. The images were also featured in his exhibit at the Detroit Institute of Arts hosted by Vogue Magazine’s editor-in-chief, Anna Wintour. The images & videos were displayed throughout the museum, as well as printed in his tabletop book in tribute to our city.

It was during that shoot, I was also asked about my love for Detroit. My experience as an award-winning creative writer, etc. came into play. I began speaking of our city in poetic fashion, beginning with “Detroit is Magical…”  These words became the cover of Shinola’s marketing campaign, also displayed worldwide, reposted, shared & highly regarded, framed & “mural-ized” throughout the city & beyond – re-branding and re-shaping perceptions of the company and Detroit. (Another example of how our skills & experiences are valuable & connected.)

Within smaller markets, often times, “talent” are told to move to “prime locations” (which can absolutely be beneficial). But, to remain…and to be forthright in establishing yourself more authentically by deciding and intending to be distinct in any market that feels the need to remain safe within confines of what is universally “acceptable” or “digestible”, is an act of faith and determination that is often feared. I hold onto the mindset that we will be blessed wherever we are. 

Through faith, purpose and intention, possibilities can manifest that exceed your highest visions. Through our own creativity, courage and bold determination, we inspire, plant seeds and ignite the creative freedom and evolution of all…

Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect? 
Some “considerations” and observations (as opposed to obstacles/challenges) – when I began learning how to DJ (on vinyl), I was teased a bit about my focus and dedication, from a few – probably hoping this would just be a cool “hobby”. There is often an unspoken fear of lack of opportunities and competition in industries. I quickly found that several people who I had consistently supported, pulled back from showing the same.  Initially being told to reach out if I needed assistance or had questions. The more I progressed, those same experts and veterans pretended not to know the answers, or simply didn’t respond.  I don’t usually like to ask for help or assistance, and it was all a bit humorous. But, the blessing throughout has been, as a black woman, I’m innately self-reliant and equipped to figure it out/make it work, or seek other valuable resources. My determination is unwavering and has helped strengthen my faith in myself and establish a few amazing connections with the people who were more than willing to support and assist. 

Sometimes, it can be a bit restrictive creatively DJ’ing certain events where the venue, clients, demographic, and certain expectations are in place.  But, it also helps me to expand and stretch myself beyond comfort levels. (I still find ways to sprinkle a little spice within those as well.)

Also, as weird as it may seem, sometimes appearances guide what people think you’re capable/incapable of, or that you’re booked because of looks vs talent. Never claiming to be most skilled, and definitely doing things “my way”, there are DJs who also stand to critique if you’re “following the traditional rules” as well.  I simply enjoy what I do, and I hope my joy translates through every creative offering.

__________________________________________________________________________________

*Within modeling, there are several considerations.  A perceived challenge could be me being selective in the projects I choose. Many have screamed after learning about projects I have passed on – thinking I may have limited my career. To me, nothing is more limiting than accepting every single project out of hunger and desperation, while offering yourself to the world in a manner inconsistent with who you say you are. Now is not the time for that. Our communities won’t benefit from it, and long-term, neither will I. Young women need to see constant figures – consistent examples of womanhood, sisterhood, motherhood, integrity, social responsibility, and accountability to their audience. Although, the gap is slightly narrowing, there is still a gross imbalance of imagery in media that impacts and shapes the energy and perceptions of black women/black people. 

I began my journey when social media was not a significant tool to create opportunity (Myspace & Black Planet era, lol). So, there’s still a fine line between the desire for privacy and over-sharing to create possibilities or momentum for an overall private person…in public places. I understand the value in marketing. I also enjoy the magic in mystery.  I also (sometimes) carry a desire to contradict what I’m told is the formula for success and allow myself to operate beyond the confines of algorithms, followers, likes, and the need to prove.  

Somehow, I have been blessed to maintain value, remain preserved and still featured throughout the years – without over saturation or having to show every preview along the way.  Although predictability has value, building anticipation and wonder are also beautiful things.

Although I refer to myself as a creative who also model, “models” are still sometimes associated with rigid, archaic perceptions: …often correlated with a lack of brilliance or intellect…superficial…linear. Because of this, often, in interactions models are “minimized”…still.  

Another consideration: sometimes possible alliances shift to competitive dynamics. I applaud everyone and expect all to thrive, excel, achieve, and exceed the highest vision of what they believe is possible for themselves…especially, if they are actively pursuing their passions. Pursuit, actions & intentions will absolutely guarantee success at some point. Unfortunately, some view their journeys, and yours, as a competition. 

There was also a time when colorism and privilege played a greater role in both industries, for choosing talent. With this awareness, I would often create and shift my own opportunities to other creative talent that I felt would have a greater benefit. Each has thrived in the industry, since. If I have access to a pathway that creates more, or better opportunities for talent…I will absolutely “pass them the key”, create a pathway or larger crack in doors once closed. 

As a “light-skinned” black woman, before incorporating my headwrap for projects, I observed how I was sometimes categorized as ethnically ambiguous or “other”.  Aside from personal and creative reasons, this became another significant reason I made the choice to integrate my gele…to make my cultural identity and pride clear.

I move with the awareness that…for any decision that steps beyond collective views, there will absolutely be critics ready. The critics are powerful sources of confirmation that you are creating shifts, breaking molds, charting new territory, and widening the scope of what is possible. 

Alright, so let’s switch gears a bit and talk business. What should we know about your work? 
I am most known for my aesthetic boldness, authenticity, creative distinction, and independence within a niche modeling industry…broadening the scope of the image of African American commercial talent and widening the possibilities – creating expansion for myself, and now, so many more, nation-wide. In both industries, always aware of the rules…but, having no desire to cling to them. 

When you have the awareness and insight of how systems work, use the system to benefit and create more opportunities for others. There is no scarcity. No matter how things appear, carry with you the belief and the “knowing” that all is well because it is ALL part of your wonderful journey. You will never lack, and more blessings will flow and continue to expand territory for yourself and all who are connected to you.

Embracing every experience and career path, each has played a role in developing skills that help navigate across industries: From business negotiations, psychology of communication and interpersonal skills, accountability, discernment, integrity, providing services conscious of expectations and audiences, and beyond.

Alright, so to wrap up, is there anything else you’d like to share with us? 
I am proud knowing I became a spark that ignited a shift in possibilities and perceptions for African American talent in Michigan and beyond.

So much of “who we are” and “how we are”, has been conditioned by society’s determination of who we need to be, for approval and acceptance.

Even though standards guided industries, I grew up at a time when “difference” was also a force.  …to be enigmatic: building intrigue and interest. Your individual offering set you apart and was your magic.  Whether through music or image, industries valued what separated you from the next. Grace Jones, Prince, David Bowie, and so many more…served as inspiration to music and fashion to boldly step into who you are, in your own way. 

Society and industries are sometimes the guiding force, creating blueprints for who and how “we” need to be based on attention and popularity – where, in order to thrive you are required to fit into an existing formula and driven to “look like”/”sound like”/”be like”…while amazing…beautifully “monotonous”.  It’s exciting and stimulating when your senses experience something new.

Find your magic! Have the courage withstand questions, criticism, opposition…even rejection. Standing in the truth of who you desire to be, you will begin to be embraced by all that is connected to your purpose.

No, we do not have to be perfect. We do not have to meet archaic, rigid, linear image/beauty standards.  We do not have to wait for our own cultural identity to become a trend to adopt, display and accept ourselves…as ourselves…as we desire to be.

I’d like my life to continue to be an expression of faith, personal courage and strength, resourcefulness, bold creativity, distinction, and integrity…fully embracing and supporting anyone who has the determination to step into the full expressions of themselves…before or without depending on society’s acceptance and approval.

Contact Info:

• Instagram: @t_o_m_b_i

Image Credits
Andy Greenwell
Arielle Teft
Davide Anderson