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Meet Shu Wen Tay of New York

Today we’d like to introduce you to Shu Wen Tay.

Hi Shu Wen, please kick things off for us with an introduction to yourself and your story.
I started getting into piano playing at my own request – when I was in preschool, I heard another classmate play the piano fluently, and I thought it was quite beautiful. That was how I started to know about this instrument.

As time passed by, it became the thing I looked forward to, at the end of busy school days, and pretty soon, I felt that I couldn’t give it up to pursue a corporate job, so I chose to pursue it as a career. I’ve kept at that for the past almost 10 years, and I hope that I still continue loving it very much.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
It hasn’t been a smooth road, there were many struggles along the way, and there still are.
The first struggle was more because I chose a path that was a little radical through the lens of Asian society, and the pragmatism built-in to the community had a psychological stronghold on me – I would doubt my path and sometimes, I still do – wondering if I made the right choice, if I should have chosen something else, if I could make it work etc. This all comes from a place of personal insecurity and self-esteem, which is a personal thing I’m working on, but which was exacerbated due to the societal preferences I was encountering.

There were other smaller struggles along the way, but the other challenge or concern right now is something a little bit more specific to the field – how can I face myself everyday in the practice room, how can I continue to want to improve, and how can I constantly evolve and grow, even though I’ve been doing (arguably) the same thing every day for many years, and more to come? It is something I’m thinking about a lot lately – there is no ceiling when it comes to playing well, or being good at a craft. Since there is no limit, then I want to constantly be even clearer with my intentions in my interpretation, and by extension, improve in every aspect of making music – whether it be in teaching music, collaborating with others, or performing.

Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I am a classical pianist, and chamber musician. This means that I perform alone onstage, or with other people in a duo or ensemble. Aside from that, I also give private piano lessons, both in the university that I currently pursue my Doctoral studies at, as well as for individual students.

It’s hard for me to come up with something I’m most proud of, especially since I am surrounded by such wonderful musician friends, all of whom have qualities that are so special and amazing. That being said, for me, I try very hard to give my all into everything I choose to do, especially so in my career. Giving it all includes a kind of work ethic expectation I set for myself, but also working to the point that I can feel free and freely emote in my craft. And of course, hopefully find out what else to keep going after for refinement.

Can you share something surprising about yourself?
I actually play a second instrument!
Although it has been many years since I touched that instrument, and only a few years where I did diligently practice it, I can play the Chinese instrument, the erhu.

Contact Info:

Two women playing string instruments, one with dark hair and the other with red hair, in a dimly lit setting.

Four musicians perform on stage, three playing violins and one playing a cello, in a black-and-white setting.

Young woman with long dark hair smiling, wearing a red sleeveless top, against a dark background.

Young woman standing in front of a poster, gesturing with her hands, with music stands nearby.

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